This is the Jefferson Market Library. I am going to visit this library for a project for school, soon. It’s a branch of the NYPL. I’m currently not happy that I can’t get a NYPL card, because I reside in a strange far-away place called New Jersey…where the libraries just don’t cut it. However, I am allowed to visit the libraries here in NYC and marvel at their interesting architecture and sit and read the books inside. The Pratt Manhattan Campus Library, where I am a grad assistant has half a shelf of fiction titles, roughly 300 or so. I am going to read every single one systematically. Today, I picked Fiskadoro by Denis Johnson.
I have a lot to do. October is full of due dates. October starts on Wednesday. I have to get my head out of the clouds and do some real school work. My head loves being in the clouds. My head loves reading about books that I can’t get a hold of. I need to set attainable goals for each day. I make these to do lists that are not realistic. And then I sit down and watch 3 hours of Weeds. Its self sabotage. I’m going to try and read some reference services textbook now. I’ll try to be more dedicated to reviewing the books that I am reading.
Here is the passage from Dance, Dance, Dance that I’ve been wanting to share…
“I slept for thirty minutes, and the rest of the trip I read a biography of Jack London I’d bought near the Hakodate station. Compared to the grand sweep and romance of Jack London’s life, my existence seemed like a squirrel with its head against a walnut, dozing until spring. For the time being, that is. But that’s how biographies are. I mean, who’s going to read about the peaceful life and times of a nobody employed at the Kawasaki Municipal Library? In other words, what we seek is some kind of compensation for what we put up with.”
I added the emphasis.
And then there is the Sheepman. The title to this blog is so true: I stopped typing for the past 5 minutes and in those minutes I have; 1) found a new Murakami blog and have been browsing it http://www.exorcising-ghosts.co.uk/news.html 2) been looking for a visual representation of the sheepman to share. 3) tried to fix the stampy thing to say the right due date for checked out 4) answered a phone query 5) got my textbook off the shelf to start reading…after I completely forgot that I was writing in this blog.
Anyway, here is one artist interpretation…not how I pictured the sheepman at all.
Here is one of the covers of Dance, Dance, Dance….
This is an actual horned sheep in a sweater-vest. So you get the idea that the sheepman is not actually described in order to represented in any particular way. He’s usually described as a man in a sheep costume, and the costume has grown into him and he’s musty and of course, not real. Of course. Here is what the sheepman says… and it is advice I hold dear to my heart.
“Dance,” said the Sheep Man. “Yougottadance. Aslongasthemusicplays. Yougotta dance. Don’teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you’restuck. Sodon’tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou’re tired, tiredandscared. Happenstoeveryone, okay? Justdon’tletyourfeetstop.”
“Dancingiseverything,” continued the Sheep Man. “Danceintip-topfrom. Dancesoitallkeepsspinning. Ifyoudothat, wemightbeabletodosomethingforyou. Yougottadance, Aslongasthemusicplays.”
Yes, the Sheep Man talks like that. Bear with me, and read the book.
Last, but not least…here is what Murakami says about his new novel that he is writing. I can’t wait!!!
“It is about ‘horror.’ I have a hunch to produce a good novel. I think it will be an important work of mine.”
Now 59, Murakami said: “Like [Feodor Mikhailovich] Dostoevsky who wrote The Possessed and The Brothers Karamazov and became productive as he got older, I’d like to do the same thing.”
Ok, now I really have to try and study.










